Our Story

With the major state changes in services for people with developmental disabilities (DD) and intellectual disabilities (ID), Oregon is pushing provider organizations to fully integrate people that they serve into the community instead of funding programs that provide facilities just for people with ID/DD, including existing arts programs. Though the changes will be positive for many, the core collaborators of Public Annex have worked closely with many wonderful and talented people who are now being directly affected by the initiatives that are closing the doors of such programs, and we care greatly about how this will affect people's lives.

We are artists, agriculturists, and activists concerned about accessibility issues which people with developmental disabilities encounter, be it physical, social or economic. These concerns specifically inform our individual practices as artists and advocates and directly fuels our collective desire to dismantle current barriers that prevent all people from achieving their goals. The arts provides a unique access point for those with and without disability to collaborate, create and grow, which we see as a necessary step in creating a truly integrated society.

We desire to fully integrate our programming into the greater Portland community and help artists with developmental disabilities to pursue urban farming and their artistic practice alongside other artists and farmers without disabilities. We formed Public Annex to pursue this mission at the beginning of 2016 and we launched full programming at the beginning in 2017.
 

The Story Behind Our Identity

We care deeply and strongly believe in making the world more accessible to people of all abilities. We want every portion of our organization to be accessible, including our visual identity. This means we want our visual language to have many access points; ex- points for visual and non visual learners or for people of different neuro-abilities. 

The base of our identity is GT Pressura by Grilli Type, a very readable, flexible typeface that resembles utilitarian type used on marquees or type stamped on shipping boxes. The type is often paired with an image which sits upon an underscore which represents a physical space. The icons are constantly changing to represent the many things that Public Annex offers. Each Public Annex event/program/project/person is assigned a specific icon that then become a trackable visual language that can be accessed by those who don't read, or are visual learners. We recognize that we have definitely not yet created something that is accessible to all, but we plan to dedicate ourselves to continually investigating how we can make our identity more and more inclusive. We would love to hear your comments and suggestions

The Public Annex identity was designed by Portland designer Brian Walbergh (www.brianwalbergh.com).